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Paul Signac The Brig mk115
1895
27x21cm
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Paul Signac The House mk115
1892
Oil on canvas
46.5x55.3cm
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Paul Signac The sloop hang flag mk115
1893
Oil on canvas
56x46cm
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Paul Signac Red buoy mk115
1895
Oil on canvas
81x65cm
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Paul Signac Port mk115
1895
21x27cm
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Paul Signac Lighthouse mk115
1895
Oil on canvas
46x55cm
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Paul Signac Bell tower mk115
1896
watercolor
20.2x15.5cm
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Paul Signac Impression mk1897
Oil on canvas
65x81cm
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Paul Signac Flat Roof mk115
1897
Oil on canvas
65x81cm
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Paul Signac Two Cypress mk115
1893
Oil on canvas
80x64cm
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Paul Signac Chinar mk115
1893
Oil on canvas
65x81cm
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Paul Signac Bay mk115
1896
Oil on canvas
41.1x5cm
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Paul Signac Bridge mk115
1902
Oil on canvas
73.x92.2cm
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Paul Signac Sail boat and pine mk115
1896
Oil on canvas
81x52cm
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Paul Signac Impression mk115
1898
Oil on canvas
92x73cm
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Paul Signac The woman making hats mk115
1885-1886
Oil on canvas
16x89cm
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Paul Signac The woman Reading mk115
1887
26.5x17.4cm
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Paul Signac Dinner room mk115
1886-1887
Oil on canvas
89x115cm
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Paul Signac Sunday mk115
1888-1890
Oil on canvas
150x150cm
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Paul Signac Study of Sunday mk115
1889
Oil on canvas
65x65cm
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Paul Signac
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1863-1935
French
Paul Signac Galleries
Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years.
In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism.
Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples.
The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat.
Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism.
As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.
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